This work ships from the United States.
Manipulating exposure time and other technical processes, Michael Kenna creates serene, dreamlike landscapes that envision the traces of human intervention within the poetic logic of nature. Here, the Fountain of Apollo at Versailles appears hazy and indistinct against a tunnel of manicured trees. Despite this ethereal stylization, the artist’s subject imparts a strong narrative touch of divine drama.
Stephen Wirtz Gallery, San Francisco
Acquired from above by present owner
No apparent condition issues.
Frame: 20.25 x 16.25 x 1 in (51.435 x 41.275 x 2.54 cm)
The condition noted above is as represented by the seller to the best of their ability. This work has not been inspected in person by Paddle8.
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Declared “the greatest photographer of the nude” by Ansel Adams, Ruth Bernhard (American, 1905 – 2006) is one of the most important black-and-white photographers of the 20th century. Bernhard was born in Berlin, joining her father in New York in 1927. In 1934, she produced the photography for the first catalogue published by The Museum of Modern Art, “Machine Art”, and the following year she was prompted by Edward Weston to pursue her work seriously. Bernhard sensuously depicted the nude female form in many of her photographs alongside erotically charged still lifes.